How Wearing approaches her subjects then is by inviting the individual to include their own articulation of thought into the picture within the space that she has provided, … Gillian and Michelle listened to music together, tried out make-up, began to bunk off school. Christine and Gillian became friends, went to Aston Villa football matches together. She's normal, but not in the way I thought. And it had never occurred to me before because in the relationships I had with my friends it wasn't actually about talking so much, it was just a laugh.' The mother speaks of her admiration for her children, but also of the way they make her feel like a failure. 'Next time,' she says, 'we should try and look nonchalant.'. Artwork page for ‘‘I like to be in the country’’, Gillian Wearing CBE, 1992–3 Wearing’s photographs explore how the public and private identities of ordinary people are self-fashioned and documented. Normal, but not at all underneath. She won the BT Young Contemporaries Prize in 1993, the Turner Prize in 1997 and the Outreach Award at the Rencontres d’Arles Festival in 2005. Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. A spot of prodding and Gillian spits it out. Hello Gillian, thank you for taking the time to talk to us. As curator Erin O’Toole explained in an interview, “The lore of Arbus is something a lot of younger women artists of Wearing’s generation were attracted to.” I'm totally opposite to what I try and create in my work' - and she can't physically do it, anyway. She shows Fawcett, faithfully enough, as a woman in an ankle-length dress (ornamented by a brooch cast from one she owned, a small note of added authenticity) and … She'd met him at Goldsmiths and she liked him because 'he was so smiley and friendly. Artists are meant to be odd bods; it's part of their job description. One day, while they were wagging, they bumped into Gillian's dad: 'We were all dolled up: it was our punk phase, we must have been 14. Kira Cochrane. Gillian Wearing: In my studio, it sort of looks like an office with a very long table/desk, cabinets, a sofa and three office chairs. Gillian Wearing: In my studio, it sort of looks like an office with a very long table/desk, cabinets, a sofa and three office chairs. We couldn't afford it'), places like Rumrunner, where pre-fame Duran Duran and Boy George hung out. She drinks hot Ribena; she talks about Big Brother. Unusually, her shyness isn't hard work: she's very restful to be around. About the Turner Prize (she got very drunk, made 'a really embarrassing speech that no one could understand', went to the Atlantic Bar, and fell asleep; she didn't produce any work for about a year afterwards). She then photographed them holding their statements. Interview. In many of her works, Wearing creates zones and contexts that might offer expression and release. Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. Gillian Wearing: The idea of a show at the Whitechapel was muted in 2006 with Iwona, just after Doris Krystof from K20 Museum in Düsseldorf had also invited me to do a survey show. Much has been made of the way in which Gillian Wearing’s work anticipated social media. Pauline est la créatrice du webzine culturel The Arts Factory Magazine. She's like her subjects. She approached her because 'her shoes were much better than mine' (they were platforms). Gillian thought George's dance was just fantastic. Gillian Wearing was born in Birmingham, England in 1963. This selection of five images shows the range of responses which Wearing elicited from passers-by, whom she selected at random, and asked to write their thoughts on a piece of paper. The cat hides behind the sofa. It's also not what I am interested in." ('A city kid. Interview. 'I saw it just before you arrived.' From Signs that say what you want them to say not Signs that say what someone else wants you to say (1992-1993) by Gillian Wearing “There was one person I talked to for about two hours,and he actually went through the whole history of his sex life,” she says. It's just theft.'. Neo Conceptual Art .. I'd rather see the countryside in a film; I stay in the car when people go for walks.') Gillian Wearing 'We need to approach life with the notion we are all mentally ill' Conceptual artist Gillian Wearing emerged in the 1990s as part of a bold generation of artists that helped define modern British art. Gillian Wearing came to international prominence as the winner of the Turner Prize in 1997, and also as one of the artists selected for Charles Saatchi’s exhibition “Sensation” that same year at the Royal Academy. Nous voudrions effectuer une description ici mais le site que vous consultez ne nous en laisse pas la possibilité. Now, shy as she is, she will approach someone in the street just because they've 'got something about them'; talk to them, explain she's an artist, ask if they'd mind having their photo taken. She recalls seeing him dance: he had this move where he waggled his hand in front of his face (she demonstrates: it appears that the lovely George was trying to flush himself down the toilet). A video, Dancing in Peckham (1994), which was a centerpiece of her retrospective this past spring at London’s Whitechapel Gallery, records the artist dancing in a shopping mall to music in her head. Her dad, Brian, sold televisions; Jean, her mum, was a butcher; the family lived in a three-bedroomed house in Great Barr. As her forthcoming Whitechapel show illustrates, the artist has a rare talent for … 'I feel funny about people seeing work when I haven't quite worked out what to do with it.'. Fine, but what? "I am less art critic and more art writer - I find the idea of critiquing art through writing difficult in a purely formalist fashion. Gillian Wearing: 'I've always been a bit of a listener' Tim Adams . Interview. I know that you are a long way into it now; you have done so much research and preparation, … Gillian, 36, has a young face and long, straight black hair, and she wears men's trousers and patterned shirts. Gillian Wearing says that it is being shy that has made her such a bold artist. Gillian Wearing The most comprehensive book on the British artist's frank, affecting work. Gillian is at the back, in her rude-girl phase, hair and face just so, hin up, all bravado and no smiling. Which shows how keen he was, because he hates scary rides, apparently. She's barely recognisable. Yet, despite her look-at-me outer shell, she was a quiet, shy person, drawn to others, like Boy George, like Christine and Michelle, whom she considered more interesting than herself. And then, at 22, she managed to get a place on an art course, a B-Tech in Chelsea. Phaidon have a lovely book of Gillian's work: when I went through it, I thought she'd make a brilliant journalist, or documentary maker. They were just answers because that's what you're meant to do when someone asks you a question.' I like roller coasters, and we have a lovely time. Her 1992-93 photo series Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say involved passersby on the street who were given a piece of paper and a marker and asked to write what was on their mind. Gillian hasn't got a studio at the moment, which partially explains the chaos of her flat. On Saturday nights, she'd go round to Michelle's to go out. I really am sorry for always asking questions.Partly it is because I am pretty inquisitive and partly just because I enjoy reading your opinions and am still grateful for all your insightful earlier posts. It’s important to understand that who is portrayed has an effect on how we think the world is.” What Wearing found were people eager to speak—and evidently grappling with the possibility of authentic speech, even before the relentless projection and personalized advertising of today’s social media sites. Ben Luke. A renowned artist who was aligned with the YBAs in the ’90s, but whose work was more socially directed, the 48-year-old Wearing makes portraits through fragmentary imagery and texts that test the emancipatory potential of public address. Language, schmanguage: Gillian stopped reading books at 14. May 7, 2018; As the figure of the suffragist is unveiled, Wearing picks apart her work on the giant bronze. As John Slyce puts it: “Gillian Wearing does not suffer the indignity of speaking for others.”. After another advert - for a computer game - again drew on one of Gillian's pieces ( 2 into 1, where the voice of a mother and her sons are transposed, so that the boys speak the mother's words and vice versa), Gillian made a public protest. On 9 March, the National Portrait Gallery opened Behind the Mask, Another Mask – a large exhibition of Gillian Wearing’s work in relation to the practice of French surrealist artist Claude Cahun. At the highest point of Oblivion, just before you make the screaming, vertical 60m plunge into the black hole of the earth, your seat tips forward so that you hang for a few seconds, facing the ground, contemplating the inevitable. Throughout her teens and early twenties, Gillian would have one close girlfriend, maybe two: when she grew apart from Christine, Michelle Markam became Gillian's closest mate. In Dancing in Peckham , she dances wildly, without music, in a South London shopping centre. Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize. Gillian Wearing Mask Masked fabric mask, wax sculpture, steel rod and wooden plinth 56 x 14 x 10 cm 22 x 5 1/2 x 3 7/8 inches plinth: 92 x 38 x 28 cm 2020 . Gillian Wearing: A nose for the truth . Don't worry, you will be in disguise. Outside school was getting better and better. A retrospective of Gillian Wearing’s work ran from March 28 – June 17 at London’s Whitechapel Gallery and following quickly on its heels will be an exhibition at K20 Kunsthallsammlung NRW in Dusseldorf (September 8 – January 6, 2013). Well, that's a, ahem, tribute to one of Gillian's photographic works: 1993's Signs that say what you want them to say and not signs that say what someone else wants you to say. 'I actually was, I can talk a lot more now, but a few years ago I tried to talk, and I have changed a lot in my ability to talk, I couldn't just talk, talk to people, I've never been a great talker or just trying to think about, try to, try to be able to talk for many years. She has been described by journalists as "friendly, sli… When we get there, Gillian confesses that she likes funfairs so much that she persuaded Michael to go to one on their first date. Zoom Photographe : Gillian Wearing. During her time on The X-Files, Gillian dyed her hair red for the character, but when she reprised her role for The X-Files revival, she ended up wearing a … We never know how Wearing coaxes her subjects into saying what they do, and, after all, they might be actors. It's not like you've taken a scene out of a film that everyone knows. That's why the picture of the girl on the sitting-room wall has the girl's own carefully rounded writing underneath it. Copyright © 2021 Interview Magazine. Sometimes not even that. Why? This video ventriloquism is consistent with Wearing’s interest in the idea of masks. Michael Landy, my husband, has the downstairs space and we share the studio with our beloved Staffordshire Bull Terrier, May. Sophie Risner. Gillian Wearing doesn't conform to the usual YBA stereotypes - she's shy, reluctant to talk about herself and loves a mug of hot Ribena. Wearing works in a wide range of media, always provocatively plumbing the most ordinary human dramas for their extraordinary, often ironic, content. 'Courage calls to courage everywhere': Suffragist sculpture unveiled in London Gillian Wearing talks about creating the first statue of a woman—and by a female artist—in Parliament Square Then the car drops straight down, there's a flash of light and you hurtle into darkness, a strangely cold, wet darkness... until, just as it feels as though you really will have a heart attack, you level out, shoot round a corner and surface. 'I was annoyed that the advertisers passed it off as though they'd had this unique idea. About music (she hated Pulp's Common People, but loved their last, dark LP). She doesn't mind, because she herself finds it very hard to talk. He says he hasn't met her family often enough to tell. Probably a good time to go through Gillian's history. They dress like your mates. 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